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International Glass + Clay 2013 in Washington, DC


This Friday, March 1st from 5:30 - 8:00 PM is the opening reception for a very special exhibit showcasing the work of Washington, DC and Sunderland England Glass and Clay artists. 
A Relentless Offering
by Sean Hennessey

The exhibit is at the Edison Place Gallery at 8th and G NW, just across the street from the Smithsonian American Art Museum



I'm very proud and honored to be a part of this fantastic show. If you love 21st Century artworks in Glass and Clay, don't miss this.


Please RSVP via the Eventbrite site, http://glassandclay1.eventbrite.com/ 
and visit our website for more information about the exhibition http://glassandclay.org/


International Glass And Clay 2013
March 1st-23rd
Reception: Friday March 1st
Edison Place Gallery
702 8th Street NW Washington, DC
http://glassandclay.org/


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Good Bait by John Harvey

Good Bait

I have a lot of time for John Harvey.



Harvey writes British police procedurals with a deep intelligence and special flair. He does it all—the characterizations, the humanity, the procedure, the mystery--and then throws in a little music, a little talk about literature, food, wine…man, I just love this stuff. He is another of those authors whose books I save until I want a surefire weekend read-a-thon going on.

Harvey is certainly the equal of Ian Rankin or Kate Atkinson, so if you like those popular authors, prepare for something special with Harvey. It looks like several of his books are being reissued this year or shortly thereafter. He has a couple of series, one that features main character Charlie Resnick and one with Frank Elder. These series don't go on forever, though we might like it if they did. Harvey takes time crafting his books and we never get "full."

Definitely check him out if you haven’t already. He’s been writing a long time, and like Rankin and Atkinson, he just gets better as he goes along. Best of all, he provides us his influences at the end of this book, giving us some insight into his creative process. Harvey praises Ladder of Angels by Brian Thompson as one of the finest crime novels in recent decades. I have never heard of this author, and my guess is you haven't either. I am pleased to get a recommendation from an author I admire.

This stand-alone novel follows two separate investigations in different parts of England which end up circling the same house: the house of a drug and sex trafficker. We follow both threads which rarely overlap, one investigation led by a thirty-something black female homicide investigator based in London, and one led by an old copper close to retirement, shunted to a quiet out-of-the-way Cornwall precinct to finish off his duties. We like these folks. They don’t have their perceptions skewed, just sharpened, by their line of work.

“Good Bait” is a jazz song, recorded many times by different artists. You might want to snag one (or several) of those recordings to prepare for settling down with this fine novel.


You can buy this book here: Shop Indie Bookstores
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The Dragon Man by Garry Disher

The Dragon Man (Inspector Challis, #1)








This first novel of the Hal Challis series by Garry Disher is disturbing. The setting is The Peninsula, a spit of land on the outskirts of Melbourne in South Australia. It is described as dry, even somewhat barren in places, and susceptible to drought and fire. Paradoxically it is surrounded by water on three sides--the kind of environs that gives us, in the age of global warming and extreme weather, immediate pause and a sense of foreboding. It is near a major city but removed from its hustle. It is populated by those with great wealth and those who can barely scrape together the wherewithal to make a meal. There is an annual influx of campers and holiday-goers escaping the even greater heat of the farther north. In this setting we meet the officers of a constabulary struggling, to a man, to stave off poverty, ennui, petty professional jealousies, inappropriate love, and finally, crime. None of them succeed with all of these.

As I struggled to express my unease with the underlying story in this “crime” series, I came across an essay written by Stepan Talty for the New York Times called ”Stranger Than Fiction on the Cop Beat”. Talty goes right to the heart of my unease by saying that the real cop stories are often funny and horrible at the same time: “how beautiful and sinister a thing the cop brotherhood can be” is how he puts it. Just so. By that standard, Disher must be writing something very close to the truth because his description of the men and women of law enforcement leaves us unsure of them, of the criminals among us, and even of ourselves (the curious, the gawkers, the next-door-neighbors). There is a serial killer on The Peninsula, but it is the police that hold our attention and engage our emotions. The sense of dread is amplified by watching them.

A reviewer for a different book once wrote that some readers must like the characters they read about, or approve of their choices, or sympathize with their point of view, but not all novels will give us that. Well, this one won't. But readers who pick up a crime novel should expect, in some small way, to come away unsettled. This series looks like it will deliver.

Garry Disher has a long string of novels to his name and has received honors, awards and prizes, but this series has only been published in the United States beginning in 2004. There are now six books in the Challis series and U.S. publication is coming now at only a slight remove from publication in Australia. Disher discusses his books and provides an extract of the sixth Challis novel on his website. His female character Sergeant Ellen Destry began to take on a life of her own as the series progressed, so now the series can reasonably be called the Challis/Destry series.

Check it out. Australia without the bush has a different feel. Be prepared to be disconcerted.


You can buy this book here: Shop Indie Bookstores
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Fensterplatz




Rausgehen oder sitzen bleiben - das ist hier die Frage.

Foto: S.Schneider


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Hausbesuch


Ganz gemütlich kam Cäsar gegen 14:30 Uhr von der Betonfläche 
den Steg entlang. Man sah ihm schon aus der Ferne an welches Ziel 
er sich nun für seinen Spaziergang ausgewählt hatte:

So verharrte er einige Zeit im Türspalt, denn nun 
hatte er mich endlich oben im Wohnraum entdeckt.
Dann zog er jedoch sein Köpfchen zurück, drehte 
sich um und schlenderte wieder den Steg entlang.
Aber plötzlich hielt er inne ...

So, als ob er mir sagen wollte 'Ich komme aber bald wieder!'

Fotos: S.Schneider


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runtergrasen


Nur mal kurz zum Lüften den Papyrus aus dem Küchenfenster 
vor dem Katzenfenster auf dem Fußboden abgestellt, ...

 sofort erscheint eine Katz' im Katzenfenster.

Ein prüfender Blick ...

und dann wird ganz bequem von oben gegrast.

Fotos: S.Schneider


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Maus im Arm




Foto: S.Schneider


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Pferdeversteck



Beim Umräumen waren die Pferde kurz auf der Treppe 
ausgelagert. Da brauchte eine Maus mal Rückendeckung ...

Foto: S.Schneider


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Eighty Days by Matthew Goodman

Eighty Days: Nellie Bly and Elizabeth Bisland's History-Making Race Around the World








This delightful popular history is subtitled Nellie Bly and Elizabeth Bisland’s History-Making Race Around the World and it is a fascinating account of the lives of two young female reporters in New York at the end of the nineteenth century. The story has much to recommend it: it could be read as a cautionary tale on the fleeting nature of celebrity, or a meditation on the twisting course of a life, or a history of women’s rights. It would be a great addition to the reading lists of teens since I feel sure that many students, both male and female, would be immediately captured with the concept of a race around the world.

While many of us have heard of Nellie Bly, but my guess is few of us could say why. This book explains that a young Pennsylvanian took the pen name Nellie Bly from a popular song of the time, and managed to talk her way into a job as an investigative reporter in Philadelphia first and then New York. She convinced her newspaper, owned by Joseph Pulitzer, into arranging a round-the world trip to beat the record set by the fictional character Phileas Fogg of the wildly bestselling science fiction novel, Around the World in Eighty Days by Jules Verne.

The idea of the race is galvanizing, but Goodman does a good job with the history as well, taking many opportunities to divert the story to highlight ill-remembered people, places, and practices of the time, the expansion of the railroads, the truth of ocean travel, the beauty and strangeness of Japan and China in the late nineteenth century. Nellie Bly became a sensation around the world, but certainly in the United States where news of her progress was charted by her newspaper, and estimates of her expected “time of touchdown” back in New York were gambled upon.

Elizabeth Bisland, Nellie’s competitor for the fastest time, was less promoted than Nellie certainly, but also sought the limelight less. The story of her journey, around the world and in life, is no less instructive and adds immeasurably to the work as a history of the period. The photos included added a great deal to the text, and I am grateful the publisher agreed to print them.

Matthew Goodman found a good story and wrote another. Just as the story riveted readers of the newspaper The World in the 1880s, so the revived story interests us now. I would not be surprised to learn that this book leads budding historians to seek out the original documents that came of this novel adventure. Likewise I would not be surprised to find aspiring writers divining new subjects in the historical record worthy of our interest again.


You can buy this book here: Shop Indie Bookstores
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Ganz selbstverständlich ...


...kam Cäsar heute Nachmittag wieder zum Gartentisch:

Wie gut, dass Allegra gerade auf ihrem Kissen 
in der Kleiderkammer saß, und Maus auf dem Bett 
unter ihrer Kuscheldecke schlief!

Foto: S.Schneider


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Schreck am Nachmittag


Vom unserem Lieblingsplatz - dem Bett aus, haben Maus und 
ich den direkten Blick zum Gartentisch. Und wir trauten beide 
unseren Augen nicht, was sich da plötzlich für ein großer 
schwarzer Vogel ganz gemütlich auf dem Tisch bewegte:

Cäsar! Ganz deutlich am blauen Halsband zu erkennen, 
inspizierte den Vogelfuttertisch sowie alle Stühle. Und 
blickte dann zum schmalen Türspalt im Treppenhaus.

Derweil wurde der Mausehals auf dem Bett immer länger.
Aber erst als der Kater aus dem Blickwinkel verschwand, ...

machte sich eine Maus auf, um seiner Spur zu folgen. 
Offensichtlich hat sie zur Zeit keine Lust auf Konfrontation. 
Denn nachdem sie ihn in ihrem Garten nicht mehr vorfand, 
setzte sie sich noch ein Weilchen auf das Hochbecken und 
spähte links zum Wald. Doch einem 'Komm' lass und reingehen, 
und wir machen die Tür zu!' folgte sie aufs Wort ...

Fotos: S.Schneider


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So läßt sich Winter aushalten




Foto: S.Schneider


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zu eisig für eine Maus



Bis hier hin. Und dann hält eine Maus inne.

Dreht sich um, geht geradewegs ins Haus und 
knallt sich auf die warme Fensterbank.

Fotos: S.Schneider


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Halmkontrolle



rechts

links

mitten rein

gefunden!

Fotos: S.Schneider


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gelangweilte Maus



Draußen ist so überhaupt kein Mausewetter! 
Wie gut, wenn eine gelangweilte Maus dann 
auf dem Bett den roten Faden fangen kann.

Foto: S.Schneider


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Mach doch mal das Licht aus!




Foto: S.Schneider


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Sean's Upcoming Art Exhibits and Stuff.

Artomatic Selects
Opens Tomorrow!

Creation
by Sean Hennessey
A curated show of artists selected by F. Lennox Campello many of whom participated in the Artomatic Inaugural Ball last month.
Exhibiting Artists: Bijan Machen, Carrie Hughes, Christ Lyngas, Cory Oberndorfer, David Camero, David D’Orio, Deborah Lash, Devin Symons, Erwin Timmers, John Grunwell, Joseph Merchlinsky, Kathryn Trillas, Larry Jones, Lindsey Routt, M. Helene Baribeau, Magda Johanna Gomez, Michael Janis, Monica de Gastyne, Nancy Donnelly, Natalie Camou, Nicolas Zimbro, Paul Farley, Philip Yabut, Rania Hassan, Ric Garcia, Roger James, Russ McIntosh, Sardar, Sasha Sinclair, Sean Hennessey, Shanthi Chandrasekar, Stephanie Booth, Tim Tate, Zofie Lang


The show runs from February 8th to the 22nd.

Opening reception Wednesday February 13th - 6 to 8 pm

It's also my birthday!


Edison Place Gallery
702 8th Street, NW between G and H Streets
Open Tue Wed Thu Fri Noon - 4pm



Facebook Event Page


International Glass And Clay 2013

Drink Me-Tamorphosis
by Sean Hennessey

Using an art exhibition as a bridge between two countries, the Sister City  program will be bringing together Sunderland, England and Washington, DC in a show that celebrates the medias of glass and clay, as well as celebrating the relationships between the two cities.
Opening March 1, 2013, at Washington, DC’s Edison Place Gallery will be an exhibit of expressive glass and ceramic artwork, as well as narrative sculptures that blend craft materials with digital technologies and, in turn remove the boundaries between the traditional categories of craft, art, and design.


International Glass and Clay 2013  Edison Place Gallery 702 Eight Street, NW, Washington, DC 20068  March 1 – 23, 2013

Reception: Friday, March 1st. 6-8 PM

Edison Place Gallery
702 8th Street, NW between G and H Streets
Open Tue Wed Thu Fri Noon - 4pm


Check out the the slick Website for more information and a gallery of artists.


A Relentless Offering
by Sean Hennessey

Expose
41st Annual International Glass Invitational & EXPOSE
Radar
by Sean Hennessey and Tim Tate
photo by Pete Duvall

Saturday, April 27, 2013 to Saturday, May 25, 2013
Reception: 8:00 pm Saturday, April 27th 2013

Featuring : The most exciting artists working in glass 2013
Over 90 of the finest artists from 18 different countries exhibiting 2 sculptures each during Habatat Galleries 41st International Glass Invitational Award Exhibition. Also on display is for the first time "eXpose" displaying works of 25+ artist never seen before at Habatat! 

I have been creating collaborative works with my studio mate and Director of the Washington Glass School, Tim Tate. 





4400 Fernlee Ave
Royal Oak, MI 





Duncan McClellan Gallery

My studio mates at the Washington Glass School and I will be exhibiting works at the Duncan McClellan Gallery in St Petersburg Florida

April 20-May 25th
Duncan McClellan Gallery
2342 Emerson Ave. South
St. Petersburg, FL 




Promises the Remain Unbroken
by Sean Hennessey
Stars of Tomorrow
As part of the James Renwick Alliance Spring Craft Weekend, The Washington Glass School will be hosting an art exhibit of rising DC area media specific artists and a BBQ lunch including local artisan foods and beer.

Friday April 5th, 20123
11:00 AM - 3:00
$35 Fee for the event and lunch.

Washington Glass School 
3700 Otis Street
Mount Rainier, MD


More information later.


Renwick Museum
As part of the Spring Craft Weekend, I along with Bruce Metcalf, Adrian Saxe, and Hunt Clark will be participating in a panel discussion at the Renwick Museum. The discussion entitled " Perspectives on the Future of Craft Art" will be moderated by Cindi Strauss

Saturday April 6th
10:30- Noon
Renwick Museum
Grand Salon
17th and Pennsylvania Ave NW

Free and open to the public






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Climates by André Maurois

Climates

“Nothing provokes more cynicism that a great love not shared, but nothing produces more modesty either.”




Was there ever a marriage that wasn’t unequal in love? Perhaps you can tell me, for this book would make it seem that there has never been such a thing. But if you have ever loved someone who didn’t love you back in quite the same way, you may discover here a voice that speaks to the pain of that.

At first we hear the voice of the young man Philippe, who becomes enamored of a very young, very pretty girl in a white dress. She may believe she loves him back, and marries him, but until she meets the dashing intellectual François, depth of feeling is something she’s never really known. Philippe’s obsessive feelings for Odile turn to jealousy when he discovers the turn in her affection, and it tears him apart.

Isabelle writes the second half of the book, and Maurois outdoes himself in writing in the voice of a woman in love. The love of Isabelle for Philippe parallels that of Philippe for Odile, and we see how the unrequited love of another changes us. When he is the one most loved, Philippe takes on the very same coquettishness and sly diversion that Odile had displayed. But Isabelle, from her position of feminine helplessness in French society circa 1920’s, becomes the stronger for her position of weakness. Her love is stronger, longer, more all-encompassing, and more forgiving.

Sarah Bakewell, author of How to Live or The Life of Montaigne and cataloger of rare books at the National Trust in London, wrote a piece on Maurois for The New Yorker magazine in 2012, just before this book was republished. In that piece she first quotes Maurois' Phillippe who could not feel at home with Odile's family: "'I seemed solemn, boring, and even though I loathed my own silences, I withdrew into them.' It was 'not my sort of climate,' he felt." Bakewell goes on to explain
This is why the novel is called “Climates”: in its examination of love, it also becomes an examination of the atmospheres we need to be fully ourselves. Philippe’s complaint about Odile’s family goes to the heart of the book. One can not just transfer one’s personality intact from one environment to the next. Relationships have different qualities of air, different barometric pressures. With Odile, Philippe is first expanded and enchanted, then he contracts and distorts into a jealous monster. With Isabelle, despite himself, he is himself.

Rush out and buy this new translation by Adriana Hunter of a 1928 masterpiece reprinted by Other Press. You will read it in a day, obsessively, for nearly every line has some truth that we recognize, and that makes us ache. It is nearly Valentine’s Day, and one wants to revisit those true things and share them, even if with a man long dead. His writing is polished and spare: he does not write too many words, but enough to tell us that he knows what man is, and how he loves, even against his better judgment.



You can buy this book here: Shop Indie Bookstores
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Was ist das?



Was wollen die vor meinem Fenster?

Und der versperrt mir sogar den Eingang!


Fotos: S.Schneider


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Tenth of December by George Saunders

Tenth of December: Stories








It is quite something to come across a writer of versatility and skill who doesn’t figure (now that they have your ear—you bought the book, didn’t you?) they will add more than they need just because they can. This is a slim volume of stories that all of us should have--to read, to cherish, and to share. Saunders has a distinct voice that reveals us as we are now. We may say that his stories do not have the language of the old masters, but they have the language we use now, but with more kindness, generosity of spirit, and humor mixed in than most of us can rustle up on an ordinary day.

In the “Afterword” to Although Of Course You End up Becoming Yourself, an extended interview with David Foster Wallace by David Lipsky writing for Rolling Stone magazine, Lipsky says of Wallace’s style that he wrote “the stuff you semi-thought, the background action you blinked through at supermarkets and commutes.” You heard it, you know it, but it doesn’t register enough for you to articulate and consider. Wallace was able to do that, and Saunders does it also. He reaches in and gets that real thing that you discarded, shines it, and shows you how it defines us.

If I could ask him, I would ask Saunders how he chose which stories to include in this volume. He spans the range of us, with these stories, starting out in the mind of suburban teenagers looking at each other with longing or appraisal (”Victory Lap”), and ends with a gentleman of great age descending the staircase of dementia to his grave (”Tenth of December”). In between we catch glimpses of ourselves as returning soldiers filled with anger and hope (”Home”), twenty-somethings undergoing moral and medical testing (”Escape from Spiderhead”), and middle-aged parents aching to give their children more than they themselves had growing up (”The Semplica Girl Diaries”).

Saunders is funny, kind, precise with his sword-thrusts which reach the heart but do not kill. I do not think we need ask “where do you get your inspiration?” since echoes of Mao Zedong ring through ”Exhortation,” and we also know the zany neighbor in ”Sticks”, or can imagine the source of the internal dialogue in ”My Chivalric Fiasco”. These people are us, and he treats us gently and allows us to laugh, with regret sometimes, with recognition at other times. But he doesn’t laugh at us and we don’t laugh with cynicism. We are grateful to Saunders because, despite his pointing out our failings and our shortcomings, we can sense he still likes us, and even celebrates our efforts in trying to make sense of, and make our way in, this crazy world.

I have too many favorite bits to single one out. But perhaps after all, my favorite bit is the fact that he doesn’t use too many words. It is honed and toned and polished and clear and gets to the heart of the matter. It isn’t a long book, so you can easily find your own favorite bit. It’s all good. Go out and buy it. This is one you will want to reread: you will read it when you are happy, and you will read it when you are sad, you will read to see how he did that.


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