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sind so schöne grüne Augen



Zwar nicht strahlend grün sondern eher etwas verwässert grün 
sehen die Augen der kleinen Maus aus. Aber dafür sind sie jetzt 
endlich mal nicht so 'verrotzt' wie sonst um diese Jahreszeit. 

Vielleicht haben wir das dem Nachbarskater Cäsar zu verdanken. 
Denn sonst steckt die Maus meist kopfüber in den Beeten, um 
den Garten-Mäuschen aufzulauern. Das reizt zusammen mit dem 
Blütenstaub und windigem Wetter fast jedes Jahr um diese Zeit 
die Mauseaugen. Doch meist ist Cäsar jetzt wohl schneller und 
geschickter bei der Mausjagd. Das schont die Mauseaugen ...

Foto: S.Schneider


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Wiese ...


... immer wieder ein Erlebnis:

Viel Vogel-TV auf dem Gartentisch.

Irgendwo da vor der Tischgruppe ist ein Mauseloch!

Und überall summt und brummt es ...

Fotos: S.Schneider


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Kittyhawk Down by Garry Disher

Kittyhawk Down (Inspector Challis, #2)
"[Challis] heard a loud chaffcutter rattle overhead and looked up. It was a 1942 Kittyhawk fighter."

This second in the mystery series set on a peninsula close by Melbourne on the southern coast of Australia shows Disher at his equivocal best. The police officers central to this series are good people at heart, but they’ve got issues…which interfere with their policing. Once again, we find wicked townspeople committing crimes, but it is the police we are watching, horrified as they bumble their way into yet another indiscretion. We fear that if we take our eyes from them for a moment, we will miss the next questionable (and objectionable) behavior.

Southern Australia never looked so lawless as in this spit of land popular with holiday-goers yet filled with low-rent year-rounders struggling to make crime pay. In this installment, we have a member of “International Most Wanted,” rapists, drug-pushers, marijuana growers, and baby-killers. All the while we sense a deep vein of Disher humor keeping the whole wildly improbable fiction from spilling over into downright absurdity. I like the way Disher thinks. He’s funny, but there is an edge there that reminds us of underlying truths.

Just a thought: for a story written on a narrow peninsula, there is precious little discussion of the sea. The peninsula isolation is complete even without Disher's mentioning shifting sands, the color of the water, or the quality of the air. It is unrelievedly dry and dusty. So is the rest of Australia, really, which makes us wonder what is the quality that makes this any different from any "bush" mystery. There is a coastal tang to the culture, then. One senses flip-flops and sees a few surfboards. The ocean creeps in unheralded and unremarked. There are no black people, and in fact, there are immigrants. One rarely (if ever) finds immigrants out "bush." Just a thought.

You can buy this book here: Shop Indie Bookstores
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Bunker Hill by Nathaniel Philbrick

Bunker Hill: A City, a Siege, a Revolution
"...both sides began a desperate rush for gunpowder."

Philbrick knows how to inhabit and interpret a battle scene. From earlier books like The Last Stand and now with Bunker Hill, Philbrick allows us to imagine in detail the layout, action, and tension in a battlefield exploding with ordnance. Because we now know more about the personalities of those men involved in the battle, have letters from survivors and rooftop observers, and battle reports of the period, we can interpret to some extent how the battle for Bunker Hill must have developed and played out. It was grim. It was bloody. The provincials had very little gunpowder but buckets of bravado.

The British took Bunker Hill that day, but the loss did nothing more than whet the appetite of the provincials for the freedom they craved. Paradoxically, it crushed the spirit of the British generals and spurred the leadership and fighting men of the colonies to an even greater resolve to isolate and eventually push the British out of Boston.

This latest addition to Philbrick’s oeuvre gives us much more than news about a single battle. We get a glimpse of greater Boston in a conscribed period of time beginning 1775 and ending 1776. We learn details about the land, the weather, the ethos, the men and women living in Boston which aid in understanding the constraints and choices facing our earliest countrymen. We learn of Lexington and Concord and the heartbreaking admission by a provincial soldier found to have hacked a British regular to death with an axe: “he simply did what he thought was expected of a soldier in the midst of battle.”

A fascinating new series of maps created for the book and dated 2013 by Jeffrey L. Ward are a revelation. Boston of today bears almost no resemblance to the Boston of 1775-76 when Boston city itself was practically an island reachable only by water or by a very narrow neck of land reaching into Roxbury. Ward’s maps follow the scenes of Philbrick’s history closely and add immeasurably to our grasp of the action.

Another thing that stands out is how little fighting actually took place before the colonies declared independence in the summer of 1776. Hostilities continued afterwards, but “the Battle of Bunker Hill…[proved] to be the bloodiest engagement of the eight years of fighting that followed.” The provincials lost the Battle of Bunker Hill and sustained heavy casualties, but they appeared to come away from that time with a sense of their own power, and with determination.

Best of all may be the portraits drawn of James Warren, kinetic man-about-town, physician, politician, and leader who rose from his sickbed to participate (and die) in the Battle of Bunker Hill, and George Washington, gentleman general, who came up to Boston afterward to lay out the Siege of Boston. Washington succeeded in pushing the British from Boston with almost no conflict. He had prepared so well in surrounding the city, he was actually disappointed he did not need to put his plan into action.
”Two days after the evacuation, the British saw fit to destroy the fortifications at the Castle with a spectacular series of explosions. The resulting fire raged throughout the night with such an intensity that a lieutenant from Connecticut discovered that even though he was several miles away he was able to read a letter from his wife by the light of the burning fortress. The fate of the Castle served as a fresh reminder of the devastation that had been avoided through the occupation of Dorchester Heights. Washington, however, continued ‘lamenting the disappointment’ of not having been able to implement what he described in a letter to a friend in Virginia as his ‘premeditated plan’ to attack Boston, ‘as we were prepared for them at all points.’”

Philbrick is at his most eloquent in his chapter entitled “The Fiercest Man,” in which he describes George Washington. One of my deepest impressions from this book comes from this chapter, where Washington is rendered human. He was a large man, physically gifted and well-proportioned, who looked well on a horse: “There is not a king in Europe that would not look like a valet de chamber by his side.” He appeared to listen and accommodate another point of view from his own while managing, in the end, to carry his own.

When Washington learned that the provincials were essentially without gunpowder, he was struck silent. “Could I have forseen what I have, and am about to experience, no consideration upon earth should have induced me to accept this command,” he later mused.

The book has 32 color plates, including Charles Willson Peale’s standing portrait of Washington with his hand on a gun barrel, and 30 black and white reproductions that allow us to put faces to names. This is a delectable, detailed history, adding to our store of knowledge, and a modern one: there is some discussion of attractive women, married or not, whom Warren and Washington were allegedly interested in. I assert, whether or not we think these details realistic, true, or relevant, they make these men more accessible to us, and we begin to wish we had more remaining clues about the lives of all these forbears so as to refute or confirm these theories.

Addendum: Philbrick tells us the painter Gilbert Stuart wrote that he suspected George Washington of harboring the “strongest and most ungovernable passions.” When I described this, from the chapter “The Fiercest Man,” to a 90-year-old Boston native, she acerbically rejoined, “One can see his passion, him in those pants," referring to her memory of Stuart’s full length standing portrait of Washington now hanging in the Museum of Fine Arts in Boston. One wonders if that portrait tells us more about Gilbert than about Washington.

Experience Philbrick's history yourself. I am delighted to be able to excerpt Philbrick's Preface from Bunker Hill below for your convenience:

Reprinted by arrangement with Viking, a member of Penguin Group (USA) Inc., from Bunker Hill Copyright © Nathaniel Philbrick, 2013

PREFACE: THE DECISIVE DAY

On a hot, almost windless afternoon in June, a seven-year-old boy stood beside his mother and looked out across the green islands of Boston Harbor. To the northwest, sheets of fire and smoke rose from the base of a distant hill. Even though the fighting was at least ten miles away, the concussion of the great guns burst like bubbles across his tear-streaked face.

At that moment, John Adams, the boy’s father, was more than three hundred miles to the south at the Continental Congress in Philadelphia. Years later, the elder Adams claimed that the American Revolution had started not with the Boston Massacre, or the Tea Party, or the skirmishes at Lexington and Concord and all the rest, but had been “effected before the war commenced . . . in the minds and hearts of the people.” For his son, however, the “decisive day” (a phrase used by the boy’s mother, Abigail) was June 17, 1775.

Seventy-one years after that day, in the jittery script of an old man, John Quincy Adams described the terrifying afternoon when he and his mother watched the battle from a hill beside their home in Braintree: “I saw with my own eyes those fires, and heard Britannia’s thunders in the Battle of Bunker’s hill and witnessed the tears of my mother and mingled with them my own.” They feared, he recounted, that the British troops might at any moment march out of Boston and “butcher them in cold blood” or take them as hostages and drag them back into the besieged city. But what he remembered most about the battle was the hopeless sense of sorrow that he and his mother felt when they learned that their family physician, Dr. Joseph Warren, had been killed.

Warren had saved John Quincy Adam’s badly fractured forefinger from amputation, and the death of this “beloved physician” was a terrible blow to a boy whose father’s mounting responsibilities required that he spend months away from home. Even after John Quincy Adams had grown into adulthood and become a public figure, he refused to attend all anniversary celebrations of the Battle of Bunker Hill.

Joseph Warren, just thirty-four at the time of his death, had been much more than a beloved doctor to a seven-year-old boy. Over the course of the two critical months between the outbreak of hostilities at Lexington Green and the Battle of Bunker Hill, he became the most influential patriot leader in the province of Massachusetts. As a member of the Committee of Safety, he had been the man who ordered Paul Revere to alert the countryside that British soldiers were headed to Concord; as president of the Provincial Congress, he had overseen the creation of an army even as he waged a propaganda campaign to convince both the American and British people that Massachusetts was fighting for its survival in a purely defensive war. While his more famous compatriots John Adams, John Hancock, and Samuel Adams were in Philadelphia at the Second Continental Congress, Warren was orchestrating the on-the-ground reality of a revolution.

Warren had only recently emerged from the shadow of his mentor Samuel Adams when he found himself at the head of the revolutionary movement in Massachusetts, but his presence (and absence) were immediately felt. When George Washington assumed command of the provincial army gathered outside Boston just two and a half weeks after the Battle of Bunker Hill, he was forced to contend with the confusion and despair that followed Warren’s death. Washington’s ability to gain the confidence of a suspicious, stubborn, and parochial assemblage of New England militiamen marked the advent of a very different kind of leadership. Warren had passionately, often impulsively, tried to control the accelerating cataclysm. Washington would need to master the situation deliberately and—above all—firmly. Thus, the Battle of Bunker Hill is the critical turning point in the story of how a rebellion born in the streets of Boston became a countrywide war for independence.

This is also the story of two British generals. The first, Thomas Gage, was saddled with the impossible task of implementing his government’s unnecessarily punitive response to the Boston Tea Party in December 1773. Gage had a scrupulous respect for the law and was therefore ill equipped to subdue a people who were perfectly willing to take that law into their own hands. When fighting broke out at Lexington and Concord, militiamen from across the region descended upon the British stationed at Boston. Armed New Englanders soon cut off the land approaches to Boston. Ironically, the former center of American resistance found itself gripped by an American siege. By the time General William Howe replaced Gage as the British commander in chief, he had determined that New York, not Boston, was where he must resume the fight. It was left to Washington to hasten the departure of Howe and his army.

The evacuation of the British in March 1776 signaled the beginning of an eight-year war that produced a new nation. But it also marked the end of an era that had started back in 1630 with the founding of the Puritan settlement called Boston. This is the story of how a revolution changed that 146-year-old community—of what was lost and what was gained when 150 vessels filled with British soldiers and American loyalists sailed from Boston Harbor for the last time.

Over the more than two centuries since the Revolution, Boston has undergone immense physical change. Most of the city’s once-defining hills have been erased from the landscape while the marshes and mudflats that surrounded Boston have been filled in to eliminate almost all traces of the original waterfront. But hints of the vanished town remain. Several meetinghouses and churches from the colonial era are still standing, along with a smattering of seventeenth- and eighteenth-century houses. Looking southeast from the balcony of the Old State House, you can see how the spine of what was once called King Street connects this historic seat of government, originally known as the Town House, to Long Wharf, an equally historic commercial center that still reaches out into the harbor.

For the last three years I have been exploring these places, trying to get a fix on the long-lost topography that is essential to understanding how Boston’s former residents interacted. Boston in the 1770s was a land-connected island with a population of about fifteen thousand, all of whom probably recognized, if not knew, each other. Being myself a resident of an island with a year-round population very close in size to provincial Boston’s, I have some familiarity with how petty feuds, family alliances, professional jealousies, and bonds of friendship can transform a local controversy into a supercharged outpouring of communal angst. The issues are real enough, but why we find ourselves on one side or the other of those issues is often unclear even to us. Things just happen in a way that has little to do with logic or rationality and everything to do with the mysterious and infinitely complex ways that human beings respond to one another.
In the beginning there were three different colonial groups in Massachusetts. One group was aligned with those who eventually became revolutionaries. For lack of a better word, I will call these people “patriots.” Another group remained faithful to the crown, and they appear herein as “loyalists.” Those in the third and perhaps largest group were not sure where they stood. Part of what makes a revolution such a fascinating subject to study is the arrival of the moment when neutrality is no longer an option. Like it or not, a person has to choose.

It was not a simple case of picking right from wrong. Hindsight has shown that, contrary to what the patriots insisted, Britain had not launched a preconceived effort to enslave her colonies. Compared with other outposts of empire, the American colonists were exceedingly well off. It’s been estimated that they were some of the most prosperous, least-taxed people in the Western world. And yet there was more to the patriots’ overheated claims about oppression than the eighteenth-century equivalent of a conspiracy theory. The hyperbole and hysteria that so mystified the loyalists had wellsprings that were both ancient and strikingly immediate. For patriots and loyalists alike, this was personal.

Because a revolution gave birth to our nation, Americans have a tendency to exalt the concept of a popular uprising. We want the whole world to be caught in a blaze of liberating upheaval (with appropriately democratic results) because that was what worked so well for us. If Gene Sharp’s From Dictatorship to Democracy, the guidebook that has become a kind of bible among twentyfirst-century revolutionaries in the Middle East and beyond, is any indication, the mechanics of overthrowing a regime are essentially the same today as they were in the eighteenth century. And yet, given our tendency to focus on the Founding Fathers who were at the Continental Congress in Philadelphia when all of this was unfolding in and around Boston, most of us know surprisingly little about how the patriots of Massachusetts pulled it off.

In the pages that follow, I hope to provide an intimate account of how over the course of just eighteen months a revolution transformed a city and the towns that surrounded it, and how that transformation influenced what eventually became the Unites States of America. This is the story of two charismatic and forceful leaders (one from Massachusetts, the other from Virginia), but it is also the story of two ministers (one a subtle, even Machiavellian, patriot, the other a punster and a loyalist); of a poet, patriot, and caregiver to four orphaned children; of a wealthy merchant who wanted to be everybody’s friend; of a conniving traitor whose girlfriend betrayed him; of a sea captain from Marblehead who became America’s first naval hero; of a bookseller with a permanently mangled hand who after a 300-mile trek through the wilderness helped to force the evacuation of the British; and of many others.

In the end, the city of Boston is the true hero of this story. Whether its inhabitants came to view the Revolution as an opportunity or as a catastrophe, they all found themselves in the midst of a survival tale when on December 16, 1773, three shiploads of tea were dumped in Boston Harbor.

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Wenn der Garten zu feucht ist ...



... haben wir eine meditierende Maus auf dem Beistelltisch.

Foto: S. Schneider


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What have my wife and I been up to? May 2013 newsletter.

Sean Hennessey and Rania Hassan's Art Events Newsletter
Late Spring 2013 Edition
Sean Hennessey | Rania Hassan
The Red Thread by Rania Hassan
Rania Hassan: Threads
Forming by Rania Hassan.
Only one week left!
Exhibit is open through Tuesday, May 27.

Rania’s solo exhibition at the Montpelier Arts Center in Laurel, MD, opened on April 5 and will be up through May 27. ‘Threads’ is an exploration of connecting knitting and painting with fiber and wood. Yes, in her newest artwork, Rania has been stitching her knitting into wood.
Rania Hassan: Threads
Montpelier Arts Center

Main Gallery

Exhibition Dates: April 5-May 27, 2013
Gallery Hours: 10am–5pm, everyday
9652 Muirkirk Road 
Laurel, MD 20708
Habatat Galleries 41st International Glass Invitation & EXPOSE
Our Dreams Make it PossibleSean is very thrilled to be participating in the wonderful Habatat Galleries 41st Annual International Glass Invitational & EXPOSESean is exhibiting three new pieces, along with two new pieces that are the result of a collaboration with Tim Tate.
From their website: Featuring: The most exciting artists working in glass 2013. Over 90 of the finest artists from 18 different countries exhibiting two sculptures each during Habatat Galleries 41st International Glass Invitational Award Exhibition. Also on display is for the first time “eXpose” displaying works of 25+ artist never seen before at Habatat! 
Habatat Galleries Complex
Exhibition Dates: April 27May 25, 2013
4400 Fernlee Avenue
Royal Oak, MI 48073
Alchemical Vessels
Fi[b]re of Rotation by Rania
Rania has created an Alchemical Vessel for this exhibition and benefit which will feature the work of 125 artists, hand-selected by 16 invited curators.
About Rania's Alchemical Vessel: Fi[b]re of Rotation: The alchemical symbol of a circle with a triangle inside represents 'Fire of Rotation.' The fiber pieces are from elements that formed a part of the creation of her recent solo show. This piece is about fire within, and transforming yourself and others through artwork.

Alchemical Vessels
Joan Hisaoka Healing Arts Gallery
Exhibition Dates: April 26–June 7, 2013

1632 U St, NW
Washington, DC 20009
Duncan McClellan Glass Gallery
Queen AliceSean is exhibiting with fellow Washington Glass School artists Michael Janis, Erwin Timmers, Tim Tate, and Allegra Marquart at the Duncan McClellan Gallery in St. Petersburg, FL. Sean and Tim spoke at the Museum Of Fine Arts in St. Petersburg on May 12, read about it here. If you know anyone that will be in the area, please pass along this information!



Duncan McClellan Glass Gallery
Exhibition Dates: May 11-June 30, 2013
550 24th St. South
St. Petersburg, FL 33712

Public Art Installation at the Shady Grove Adventist Hospital
SketchSean is creating three illuminated glass panels for permanent installation in the newly constructed Childrens Cancer Center at the Shady Grove Adventist Hospital in Rockville, Maryland.




American Craft Magazine Article
Sean was mentioned in an article in this months American Craft Magazine regarding his contribution to a project with The Washington Glass School enhancing the Library of Congress.
Read the article HERE







Where can you get your hot little hands on some Sean Hennessey originals?
Blue Spiral Gallery  Asheville, NC
Habatat Galleries  Royal Oak, MI
Duncan McClellan Gallery  St. Petersburg, FL
Or, if you are in the Washington, DC, metro area, shoot Sean an email and schedule a studio visit.

Follow Us.
Looking for more details about what we're up to?
There are many ways to keep track of us, here are some of our links!

:: Sean Hennessey ::
Email: art@wheresmycoffee.com
Tel: 202.550.4634
Blog: wheresmycoffee.com
Art portfolio: dcsean.com
Shop: scenicartisans.etsy.com
Twitter: @wheresmycoffee
Instagram: @sean__hennessey
Flickr: flickr.com/scenicartisan
Facebook: facebook.com/sean.hennessey.art

:: Rania Hassan ::
Email: darnknit@gmail.com
Tel: 202.320.9300
Blog: goshdarnknit.com
Art portfolio: raniahassan.com
Shop: shoofly.etsy.com
Twitter: @goshdarnknit
Instagram: @goshdarnknit
Flickr: flickr.com/goshdarnknit
Facebook: facebook.com/goshdarnknit

Copyright © 2013 Rania Hassan + Sean Hennessey, All rights reserved.
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Wie Katz mich um die Pfote wickelt



ein Beitrag zur Blogparade von Tina Krogulls Miscellaneous


Zu dem Thema "Sie haben uns in ihrer Pfote" hat Tina Krogull auf ihrem Blog Miscellaneous eine Blogparade auf die Beine gestellt. Dort erfährt der geneigte Leser auch, was eine Blogparade überhaupt ist. Mein Beitrag zum Thema beginnt mit der Feststellung, dass Katzen ganz allgemeine, offensichtlich angeborene Strategien haben, ihre Menschen um die Pfote zu wickeln. Aber dann gibt es doch noch das spezielle, auf den jeweiligen Menschen zugeschnittene Instrumentarium, die individuelle Hilfestellung unserer Pelzgenossen für den begriffsstutzigen Zweibeiner, wie die folgenden Zeilen zeigen.


Meine Sally beispielsweise macht es mir leicht, ihr ihre Wünsche von den Augen abzulesen. So hat sie für das Fangespiel mit ihrer geliebten Fasananfeder (muss schon naturecht sein!) zwei Orte festgelegt: Den Kratzbaum im Büro-Katzenzimmer und die Rückenlehne der Couch im Wohn-Katzenzimmer. Dort springt sie (je nachdem in welchen Raum ich mich gerade aufhalte) hin, wenn sie persönlich bespielt werden möchte und blickt mich so lange mit großen Augen an, bis ich den Federkiel ergreife und die Feder hin und her flitzen lasse. Selbstverständlich wird die Feder nur gejagt, wenn ich sie in der Hand halte, gefiederte Katzenangel oder ähnliches handsichere Spielzeug wird einfach ignoriert. Weshalb ich mich trotzdem darauf einlasse? Ob ihr es glaubt oder nicht, Sally vermeidet es selbst in höchster Jagdextase, meine Finger zu verletzen.

Meine kleine Schwarznase zeichnet sich ohnehin durch eine große Rücksichtnahme bei der konsequenten Durchsetzung ihres Willens aus. So habe ich ihr neben meinem Schreibtisch einen eigenen mit einer weichen Decke ausgestatteten Arbeitsplatz eingerichtet. Seitdem verzichtet sie großzügig darauf, meine Arbeitsunterlagen zu besetzen. Solange allerdings unter der Decke keine frische Wärmflasche liegt, ist es der armen Katze natürlich nicht möglich, konzentriert zu arbeiten. Also stellt sie sich in voller Breite schnurrend und köpfelnd vor meinen Bildschirm, stupst die Hand mit der ich die Maus bediene (und nur die!) und wartet darauf, dass ich die Wärmflasche unter ihrer Decke verstaut habe. Und damit ich sie nicht einfach genervt aus ihrem Büro werfe, vermeidet sie es grundsätzlich, die Tastatur zu betreten (manchmal lässt sich das nicht zwar vermeiden, aber ansonsten setzt sie ihre Pfoten immer bewusst neben die Tastatur).
 
Es gäbe noch einiges über das kätzische Klickertraining ohne Klickern zu berichten, vielleicht noch, dass Sally auch noch eine Stimme hat, mit der sie je nach Tonlage, Quengelgrad und Standort sehr unmissverständlich ihre Wünsche mitteilen kann.
Da Sally aber nicht unsere einzige Katze ist, habe ich den folgenden zusammenfassenden Erfahrungsbericht formuliert:

Widerstand zwecklos
Von Wolfgang Schwerdt

Wenn glücklich unsre Katzen schmatzen,
genüsslich strecken ihre Tatzen,
voll Wonne und mit Akribie.
Wenn Katzen auf dem Bettdeck liegen,
so tun, als ob sie Tonnen wiegen,
dann lassen wir in Ruhe sie.
Wenn schnurrend sie um Beine streichen,
mit großen Augen Mitleid heischen,
die Menschen widerstehen nie.

Wenn Katzen an den Nerven sägen,
des Menschen, der versucht mit Brägen,
Lyrik zu schaffen fein und zart.
Wenn Panterchen mit festem Schritte,
stolzieret auf der Tasten Mitte,
für Dichtkunst wird’s besonders hart.
Doch dann weiß Katze ganz genau,
mit Köpfeln und zartem Miau,
zu schmieren Honig um Dein Bart.

Wenn Katze nicht stört Deine Kunst,
verweigert strikt Dir ihre Gunst,
vergehst Du fast vor Angst und Gram.
Du schaust, was kann dem Liebling fehlen,
wirst schnell Dich aus der Arbeit stehlen,
die Katz was Falsches zu sich nahm?
Vergiftet könnt sichs Fellchen haben,
doch musst Du nicht zum Tierarzt traben,
die Katz Dich auf den Arm nur nahm.

Doch wenn es Dir mal dreckig geht,
die Katze auf der Matte steht.
Dann schleicht sie sich mit warmem Fell,
mit Schnurren, Schmusen, Kuscheln schnell,
hinein ins finstere Gemüt
und Du weißt wieder, was Dir blüht,
wenn ohne Katz müsstest Du leben,
da kann man sich doch nur ergeben ;-).
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A Cushion in the Road by Alice Walker

The Cushion in the Road: Meditation and Wandering as the Whole World Awakens to Being in Harm's Way

Alice Walker is an old radical. Just when you thought the U.S. government under Obama must indeed be “liberal” because the Republicans keep telling us so Walker comes along to say, no, Obama’s policies are a long way from liberal. Reading Walker, we can see what “liberal” really means.

It is refreshing to me to have someone thoughtful (but not a political consultant) give a considered opinion on anything these days. Walker surprises me with the range of her concerns and the vehemence with which she addresses them. She has so much generosity, respect, and righteous anger built in to her worldview that one wonders how such a person would govern. A Daoist, perhaps: “Let the forces rule.” But really, Walker is a spiritualist of every sort. She is animist, Buddhist, Christian, Muslim. She believes in the basic tenets common across religions: Be thoughtful. Be kind. Be generous. Enough is as good as a feast.

This is a book of essays, letters, articles she has written for publication, diary notes, or sometimes transcripts of lectures she has given. It gives us Walker’s thinking, the things she has struggled with, the things she struggles with still. More importantly, it gives us some idea of how to approach our own thinking about problems that plague us.

Take, for instance, the question of Pfc. Bradley Manning. Manning was the young man who allegedly gave government secrets to Julian Assange to publish. How should we deal with this question in an enlightened way? What is the best solution? I guarantee Walker will make you question again things you thought you’d already decided.

One of the pieces in the book that I liked best was “12 Questions: Korean Women’s Soul Questions.” South Korean women, confused about how to live fulfilled in the strict patriarchy of South Korean society, asked Walker and a prominent South Korean feminist, Hyun Kyung Chung for their opinions. Some of the questions are ones we have heard before, e.g., Can women and men be friends? and Should women change their bodies to interest men? But Walker’s responses are always interesting and get right to the heart of this old radical’s worldview, encompassing all her deepest themes. This is a woman who has studied oppression of one kind or another her entire life and knows whereof she speaks.

Anyway, Walker’s articles in this book are a short sharp shot of something strong and fiery. It goes right to the bloodstream and jumpstarts the brain. Of course, it can only be taken in small doses, but you may find you develop a taste for a woman with opinions, and crave to hear what a bright, thoughtful human might say on the state of our affairs. Her point of view adds depth and richness to the human response sent into the universe when negotiating the maelstrom that is life.
Mother Nature presents a very different kind of army than then ones we are used to fighting: the armies of poverty, colonization, weapons of all kinds, media doublespeak, that keeps us confused. In fact, what is so chilling about Mother Nature is how indifferent She can be to who should be punished for the crimes committed against her. We are all being punished. And this is because we have forgotten one of the most basic of the things that made us beautiful: that we must never fail to have respect for her. And we must cease, at once, taking more than she is willing to give.”



You can buy this book here: Shop Indie Bookstores
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Foal's Bread by Gillian Mears

Foal's Bread

"If there had ever been a time when she hadn't had the jumping dream she couldn't remember it..."

Gillian Mears’ searing novel of Australia, Foal’s Bread, was sixteen years in the making. It was published in late 2011 with the publishers Allen & Unwin, and then proceeded to win the 2012 Australian Prime Minister’s Literary Award for Fiction and The Australian Literary Society’s 2012 Gold Medal while also winning or being shortlisted for eleven other Australian prizes. While apparently still not available in bookstores in the U.S., it is available new or used from mostly overseas sellers on Alibris, Amazon, or Barnes & Noble. It is worth seeking out. It is high on my list of “Best of” fiction reads for 2013.

This unforgettable saga of a horse woman and her family living in rural New South Wales begins in 1926 with motherless Noey on a pig drive with her pa, Cecil. Her father is proud of her: “wasn’t no horse too tricky that my daughter couldn’t git over a…ladies’ high jump.” So the two of them sign up for the Port Lake Show, one of many such country shows all around Australia in the late summer and fall. Noey is fourteen, and ”built small…she was like a pony come out of the scrub. The hair on it just like a sun-bleached flaxen mane.” At that show Noah meets her future husband, Roley, a consistent winner on the showjumping circuit.

Hard-hitting and psychologically complex, this fiction centers around a fully realized and unrepentantly sexual woman. She is both grasping and generous. She feels more than she expresses and bears as much as she is able. She is tender and terrible in jumping the hurdles in her life, bringing us the sense of a whole person. She is unable to keep her husband and all three children safe from harm, and this knowledge weighs on her.

There are several daring, disturbing, and thought-provoking themes running through this novel, one of which is sexual love for a much older partner. Mears has us wrestle with our feelings about this to some effect. We are unsure what to make of her characterization of the love between Noey and Uncle Nip, and this adds to the complicated feelings we experience while we read. It is quite thrilling to be once again unsure of oneself when presented with the power of her storytelling.

The story itself is rounded and full, holding all the complicated emotions, joys, and disappointments of real life. The language is strong and farm-style frank. We watch two generations on one family farm over a period of some eighty years. The baby George, born “special” and a little simple, makes his family’s lives more joyous than they might otherwise have been because he reflects their love back two-fold. Special, indeed. Roley, Noah’s showjumping husband, struggles with despair as a wasting disease hijacks his limbs. Noey charts his decay, and denied the comfort of her husband’s body, passes through every stage of grief. Suppression of her natural tenderness causes her personality to twist.

The passage of time is marked through the growth and seasonal change of a jacaranda tree, for under its spreading branches and purple blossoms major events are marked. The tree lives on through drought and flood, and just becomes more beautiful as it ages. I still wonder why Mears ended the book the way she did, for I didn’t think her ending was as inevitable as she made it feel, but I concede it does show once again the confusion and emotional distress tearing apart an older Noey.

After finishing this book, you are likely to be curious about the author, rural New South Wales, and the early days of showjumping when obstacles were stacked impossibly high and the country shows were exhilarating and extraordinary. Mears explains her research and her writing in this audio interview with the ABC Book Show host, Anita Barraud. Mears herself knows something about an unexplainable muscle-wasting disease, for she has struggled herself with Multiple Schlerosis for some years. The mystery and arbitrariness of that disease forces a furious frustration on all that come in contact with it.

And what is a foal’s bread? It is not exactly clear, but it appears to be a lump of tissue found within a foal’s placental birthing sac. Dark, hard, and heavy at the birth, it can be dried out, passing through stages until it is light colored and lightweight. It is a rare enough find to be considered a lucky event.


You can buy this book here: Shop Indie Bookstores
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Blickkontakt ...



... aber schon ziemlich müde!

Foto: S.Schneider

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auch mal im Dreck schubbern ...



Mit zunehmendem Alter wird Allegra naturverbundener: 
Häufiger wälzt sie sich jetzt auf den Betonplatten im Garten,
 möchte morgens häufiger schon vor der Maus spazierengehen, 
bleibt abends länger im Garten, findet, dass die gemulchten 
Beete zwischendurch auch mal ein ganz praktisches Katzenklo 
sind und dass das Teichwasser gar nicht so schlecht schmeckt.

Foto: S.Schneider


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Papadaddy's Book for New Fathers by Clyde Edgerton

Papadaddy's Book for New Fathers: Advice to Dads of All Ages

"You will have no time to childproof the house (trust me) between the time the baby is born and the time it is old enough to aim and spray paint remover into its mouth."

There is a moment in every parent’s life when they wish they had someone to talk to about their child’s behavior—and their own response to it. They may not take the advice, but it’s nice to know what other, experienced folk do that seems to work well. Clyde Edgerton has a comfortable way of raising those pesky issues of childrearing and making us laugh about how we solve (or do not solve) them. He makes a great deal of sense, and makes us more comfortable with our sometimes creative solutions. Most of all, he makes us love children for being the baby humans they are—for mimicking, for coming out with the most amazing questions, for learning manipulation early.

This is a small book, the smallness of which any parent can appreciate. New parents quickly find that time is one thing they have less of with a new baby, and Edgerton’s advice on setting up the car seat early is wisely put in the front of the book: Getting Ready. The frustration of installing the seat prepares the new father for what will come…setting up the crib. He helpfully instructs the new father to put it together inside the room where it will be used, since it very likely will not fit through the door when it is finally put together.

Parenting can be hard, especially if we don’t learn early that consistency resolves many daily battles. It’s just figuring out what we want to hold as the standard that may be difficult. Edgerton speaks with the voice of the experienced Dad, one who has figured out many ways to be fair at the same time he is saying “no.” He writes as though he would be a great grandparent—he hasn’t lost the joy of a new baby, or a questioning toddler, or an experimenting teen. The love shows through, which is what each of us hopes for in our families. He is a Considerably Older Dad, or COD, and writes some advice for other CODs separate from the text in little boxes.

I especially loved the short section reminiscent of “Kids say the darndest things,” or Edgerton reminding us that sometimes kids seem to grow up when we aren’t looking. Suddenly one day they will point out, with an adult voice and a complete sentence, they have completely grasped something we thought was beyond them still. We feel foolish and proud and on the verge of laughing at ourselves at the same time.

His advice is sound, and I’m sure new fathers will find much in it to help them to relax into their new life as parent and to be creative in their own individual way: to think of new games, or stories to tell, or fun things to do with their child at the same time one sets reasonable limits and allows for diversity. Parenting is hard, but it can also be fun, and Edgerton helps us with one while reminding us of the other.

This is a book for new fathers, Edgerton points out several times, and so it is. But a mother could do worse than see what advice her husband is reading, to see if her child-rearing techniques mesh with his. Besides, it is much shorter than those for mothers, who have so much more to think about, since her body and the baby’s are so closely entwined. And she might take heart that Edgerton takes some time to tell new fathers to “look after mama.”

If there is going to be a new father in your family, don't wait until the baby is born to share this wonderful little book. It covers preparing for fatherhood, something I am certain is on the minds of fathers-to-be.

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